"When we met, it felt like we had known each other for many years.ultimately, no matter what Chan and I are doing, we're really great friends. "We started out as friends and I would say it was an instant recognition," Dewan told Vegas Magazine in 2018. Nearly a decade after getting married, Tatum and Dewan, who share daughter Everly, 8, announced their split in April 2018, finalizing their divorce the following year. "They had so much fun together and there's no surprise. "From them meeting, they were just so good together," Josh Henderson, who played Nora's boyfriend Brett, said in 2017. But the pair didn't exactly hide their feelings for one another onset, with one of their co-stars telling E! News he wasn't shocked that Tatum and Dewan ended up dating.
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Once the movie was over-go for it! It was such a wonderful and romantic courting period, even though they didn't act on it. "I never said anything to them, they just chose on their own to get the movie done first. They were there to get a job done," Fletcher told Cosmo. (Check out their flirtatious audition tape here.) While their chemistry was "instantaneous," Fletcher revealed Tatum and Dewan waited until after filming ended to start dating. Writer-directors: Dinesh D’Souza, John Sullivan And it ends with the ominous words, “The future is in your hands.” No one doubts that the country faces major challenges in the next four years, but there is one safe bet: The future is unlikely to be affected by this simplistic documentary. The film concludes by suggesting that if Obama wins a second term, America will be a completely different country by 2016. D’Souza implies that Obama is sympathetic to radical jihadists while ignoring the killing of Osama bin Laden. The filmmakers show Obama fumbling when trying to explain his healthcare bill at a rally, but they mute the sound of the hecklers who clearly contributed to the President’s disorientation. Other bits of “evidence” are just as obviously cherry-picked. Do any of these marginal associations prove that Obama aims to introduce socialism to America and undermine the state of Israel? D’Souza also points out that Obama took a class at Columbia taught by Edward Said, the renowned pro-Palestinian scholar. We hear about “Obama’s Chicago pal” Bill Ayers, though D’Souza admits that Obama met Ayers in 1995, 25 years after Ayers’ involvement with the Weather Underground. Frank Marshall Davis, a friend of Obama’s grandfather in Hawaii, was indeed a card-carrying member of the Communist Party, though the film fails to mention that when Davis joined the Party in the 1940s, such membership was perfectly legal. To prove his tendentious point, D’Souza trots out a familiar cast of characters. The film really goes off the rails in the last half hour, when it veers from biographical data to speculation on how Barack Obama Sr.’s anti-colonialist sentiments turned his son into a radical who aims to dismantle America’s traditional values. PHOTOS: Young Hollywood’s Secret Breakfast with Obama The details presented about Obama’s father and grandfather are fascinating, though it would be hard to make a case that men whom the President barely knew shaped his political philosophy in any comprehensive way. (Gee, you really think so?) Still, there are vivid scenes shot in Indonesia and Kenya, including a brief, less-than-revelatory interview with Obama’s half-brother George. A psychiatrist opines that an absentee father often has a significant influence on his son. There are no startling or profound insights in this introductory section. (Apparently Obama’s mother was upset with her second husband when he went to work for an oil company, and she urged young Barack to be true to the more radical politics of his father.) Still, this is a skillful summary, with some material that may not be widely known, like information on the time Barack spent in Indonesia with his mother and step-father, Lolo Soetero. In exploring Obama’s background, D’Souza breaks little new ground, mainly recounting history that is familiar from Obama’s own autobiography and other accounts. He begins by detailing his own personal history as an Indian-American, born in Mumbai but educated in America, and comparing himself to Barack Obama, the son of a Kenyan father. D’Souza not only co-directed the film with John Sullivan he is also the protagonist and on-screen narrator.
Although the film is unlikely to sway the undecided, it actually starts out as a fairly measured and informative recap of Obama’s personal history.
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